“The promise of the Dawn”: Rebecca Harding Davis’s “latent hope” for social class reform

Interestingly enough, history shows that the closer people live to each other, the less they rely on community to succeed. When Rebecca Harding Davis’s Life in the Iron Mills was first published in 1861, the United States had already been moving towards an urbanized, industrial society for many years. French sociologist Émile Durkheim describes one factor in these connected transitions as “organic solidarity,” where relationships are instrumental, and people are basically strangers to one another (Handrick). Davis provides an interesting example of this in Life in the Iron Mills, where the main characters—Hugh and Deborah—and other members of the working class are nearly invisible to the upper class, despite these workers’ important jobs. In Davis’s time, little was known about how the poor lived, and writers and artists in the Romantic Movement glamorized any descriptions that did exist. Davis writes about this scenario, where the rich care very little about the poor, as a means of revealing the harsh truths about social class divisions and prompting change. However, Davis includes no sign of hope in reform at the end of the novella; only Deborah’s hope for a peaceful afterlife is seen. In fact, it is this lack of hope on earth that most clearly demonstrates the working class’s dire situation, and demands for social class reform. Further, the fact that Davis’s only indication of hope is seen in the idea of a Christian heaven suggests that the adoption of Christian morals will result in a beneficial social class transformation.

While the whole of Life in the Iron Mills points to Davis’s sure belief in Christianity, the ending of the novella provides one of the clearest signs that Davis believes her religion has an important role in the development of American society. The story’s conclusion finds Deborah on a Quaker settlement, being cured of her past by “slow, patient Christ-love, needed to make healthy and hopeful [her] impure body and soul” (Davis, Iron Mills 73). Davis gives no indication that Deborah could have succeeded by returning to her old life, and instead suggests that Deborah’s only way out of her previous misery is through this drastic lifestyle change. Rather than having any expectations in her current life, Deborah has “in her heart some latent hope to meet [in heaven] the love denied her [on earth]” (73). Davis seems to indicate that, unless societal changes are made, any “drastic reform needed to save the poor will happen not on earth, but in eternity” (Lasseter 175). The reception of this idea is very important, because it determines whether Davis’s novella is simply a work of Christian fiction, or if it actually calls for steps to be taken to reform social class.

Because of Davis’s personal history, as well as some of the notable themes and symbols in the novella, it seems apparent that Davis wrote Life in the Iron Mills to be more than just a work of fiction. As Lasseter comments, “Davis fiercely resisted passive Christianity” by “[sympathizing] with the abolition movement, [participating] through her writing in debates over woman's place and potential, and [exploring] economic justifications for a ‘Christian’ capitalism” (175). Her ideas regarding this “Christian” capitalism are contemplated throughout Life in the Iron Mills, as she shows how corrupt and flawed the existing economic and social models were. For example, the upper class visitors of the mill toy with the idea of Hugh advancing socially, but they all, either actively or passively, leave him unaided, saying, “’Ce n’est pas mon affaire,’” or, “it’s not my business” (Davis, Iron Mills 54). This attitude is the only one shown among the upper class throughout the novella, and Davis even writes the narration in such a way that implies her readers share a similar point of view. The narrator asks the readers to “hide [their] disgust, take no heed of [their] clean clothes, and come right down with [him or her…], into the thickest of the fog and mud and foul effluvia” to hear Hugh and Deborah’s story (41). This specific portrayal of the upper class, and the attempt to induce empathy from the readers, demonstrates Davis’s desire for the upper class to change their ways and help the poor.

Davis’s wish for reform is often based on her observation of Christian hypocrisy, which is portrayed in Life in the Iron Mills, as well as her other works. In “A Faded Leaf in History,” Davis writes about unchristian acts performed by early “Christian” American settlers, who “met the Indians with the same weapons of distrust and fraud which have proved so effective with us in civilizing them since” (46). This mistrusting treatment is similarly seen in Life in the Iron Mills, when Doctor May condemns Hugh’s actions “after all [his colleagues and his] kindnesses” towards Hugh (65). Davis uses her writing as a means of “challenging the existence of these relations of domination” in order to improve “possibilities for transformation” (Mock 44). By creating these stories, Rebecca Harding Davis has revealed the harsh, hypocritical tensions that exist between social classes; this recognition is the first crucial step in actually causing change.

While Davis does not actually give evidence that social class reform has not taken place at the end of Life in the Iron Mills, nor does she blatantly give examples of possible actions, the novella’s allusions to the idea of seriously adopting Christian morals are quite apparent. Lasseter explains one clear example:

The hope proffered in the concluding sentence of all versions of the story, ‘The Promise of the Dawn,’ may be the vision Davis hopes her orthodox Protestant and Unitarian readers will embrace: a radically liberal Christianity to enact a social justice not only personally (as in the Quaker practice) but also in public policy to end poverty." (175)

This “radically liberal Christianity” that Davis promotes largely involves the concept of humility, which has been highlighted in countless other fiction works, such as The Hobbit and Charlotte’s Web (Keys 221). While these books are obviously more fantastical than Life in the Iron Mills, they all showcase the importance of such a characteristic as humility. Keys points out that, even in the real-life present, there is a “strikingly diverse assortment of political theorists and practitioners […who] have invoked humility as a positive personal social value and a bulwark against the hubris or pride inherent in […] great or superpower politics” (218). Humility, when defined as “a modest or low view of one’s own importance” is a characteristic that is not easily seen in any of the upper class characters in Life in the Iron Mills, nor is it likely one that the novella’s narrator would use to describe his or her audience (Humility). Davis uses Hugh and Deborah’s story as a means of humbling readers into a state of empathy, and therefore causing a feeling of “brotherly love” to work it’s way into the culture (Lasseter 175). Davis makes it clear that, without adopting Christian morals like humility and the resulting “brotherly love,” people like Hugh and Deborah will have no hope for a better life on earth.

The statement Rebecca Harding Davis makes in Life in the Iron Mills is quite a bold one, especially in an America that allows for religious freedom, yet even today identifies itself as a Christian nation. Many “Christian” aristocrats in Davis’s time may have scoffed at the suggestion that their actions were hypocritical, but Davis provides an extremely humbling and empathy-inducing account, which makes it clear that members of the working class are suffering, and social classes need reformation as a result. The novella’s conclusion, which indicates that existing social conditions provide no hope for the main characters on earth, is the last and most important of many examples pointing to Davis’s desire for a serious adoption of Christian morals. With “the promise of the Dawn” still refusing to manifest itself, the world may never know whether or not Davis’s hope was in vain (Davis 74).


Works Cited

Davis, Rebecca Harding. “A Faded Leaf of History.” The Atlantic Monthly 1873: 44-52. Google Books. Web. 15 Dec. 2009.


Davis, Rebecca Harding. Life in the Iron Mills. Boston: Bedford/St. Martin's, 1997. Print.


Handrick, Philip J. “The Quebec Transition.” PowerPoint presentation for ISS 336, Michigan State University. Fall 2009.


"Humility." Ask Oxford. Oxford American Dictionaries. Web. 15 Dec. 2009.


Keys, Mary M. "Humility and Greatness of Soul. " Perspectives on Political Science 37.4 (2008): 217-222. Social Science Module, ProQuest. Web. 15 Dec. 2009.


Lasseter, Janice Milner. "The Censored and Uncensored Literary Lives of Life in the Iron Mills. " Legacy 20.1&2 (2003): 175. Humanities Module, ProQuest. Web. 15 Dec. 2009.


Mock, Michele L. “‘A message to be given’: The spiritual activism of Rebecca Harding Davis." NWSA Journal 12.1 (2000): 44. Women's Interest Module, ProQuest. Web. 15 Dec. 2009.

Life in the Iron Mills: Symbols and Themes

Life in the Iron Mills is novella packed with deeper meaning. Here are a few of the many important symbols and themes that occur throughout the story:

Symbols

The korl woman is a hugely important symbol in Life in the Iron Mills, symbolizing many things. Hugh explained that the woman was hungrily reaching out for something "to make her live" (54). The woman's apparent desire, as well as her appearance as a wild, muscly worker, parallel Hugh's own desires and his position both within the city's social class structure and within his own social class. He is a poor worker, but also an outsider within the working class.

Smoke as a symbol is used in two contrasting ways. The narrator claims that "the idiosyncracy of [the] town is smoke" (39). It is a substance that the lower class cannot escape, and are constantly, unwillingly breathing in. This is similar to their social position in that, despite all their work, very little can be done to gain social capital. On the other hand, members of the upper class, who live in more pleasant areas away from the smoke, willingly breathe in the smoke from their cigars. This may be seen as a symbol of the upper class's feeble attempt to understand what the iron mill workers are going through.

The money that Deborah steals and Hugh gets caught with serves as an interesting symbol. Deborah sees this money as the sure ticket out of their misery, but the money actually ends up leading to Hugh's death. It serves as a symbol of the members of the working class's often futile attempts to advance socially in a system that doesn't value meritocracy as much as it claims.

The fire in the iron mills create a scene that looks "like a street in Hell" (45). Hugh and his fellow workers are living and working in hellish conditions that inspire no hope, only misery. These conditions could also symbolize some members of the upper class's expectations for the workers' eternal destiny.

Themes

Hope exists in different levels throughout the novella. There is a general sense of hopelessness for Hugh throughout the story, which peaks upon his death. Davis indicates that, if the existing social class model remains, there is no earthly hope for people like Hugh. The ending, however, highlights Davis's belief in an afterlife and emphasizes the idea that Deborah has hope in heaven. Davis also suggests that hope on earth can be found in a social class reformation that involves the serious adoption of Christian morals.

Gender is examined by Davis throughout the novella. Davis was a firm advocate of women's rights, and used aspects, such as the korl statue and Hugh's femininity, as a means of symbolizing womankind's struggle. The Quaker woman plays an important role as the story's heroine, alluding to Davis's hope in a future of gender equality.

Christianity plays an extremely important role in Life in the Iron Mills. Davis was a strong opponent of "passive Christianity" and uses scriptural quotes throughout the novella to emphasize a socially active Christianity. She uses her faith and religion as the only sign of hope throughout the story.

A Relevant Photo Gallery

The following pictures show various scenes related to Rebecca Harding Davis's Life in the Iron Mills. The original site of each picture is linked.

Cambria Iron Works, circa 1854


Life in the Iron Mills: A Deeper Look into Social Class

The following text was developed for a class facilitation that partially focused on Rebecca Harding Davis's portrayal of social class divisions. A few questions are included to initiate a more critical reception of Davis's writing:


Social Class

Though Davis was “herself a daughter of gentility and comfort” (Davis 4), she was self-exposed to the class divisions in Wheeling, noticing that the poor lived a "dreary, demeaning, and toilsome” life (7). The opportunity to observe both her peers in the middleclass and “the world of industrial work” (7) obviously influenced Life in the Iron Mills greatly.

1. How does the upper class (namely, the men who visit the mills) view people like Hugh in Life in the Iron Mills? How is this similar to or different from current stereotypes regarding the poor?

2. What, according to Deborah, is the biggest factor separating her and Hugh from the upper class? Do you think she is right? Why or why not?

3. The narrator speaks to the reader assuming s/he is a member of a higher class than Hugh and Deborah. What do you think Davis’s reasons for doing this were? How do the narrator’s assumptions affect the representation of social class in the story?

4. Davis’s story was pretty radical when it was published because it put the horrible conditions of the poor in the spotlight, and attacked the idea of meritocracy as a means of advancing socially. It what ways does Life in the Iron Mills apply to social class divisions in our society today?

Parkgate Iron and Steel Co.

This video, though shot in Britain and about 40 years after Rebecca Harding Davis wrote Life in the Iron Mills, provides a fascinating look into the past. While it doesn't show any work within an iron mine, the difference in dress, cleanliness, and actions among different groups of people are interesting to watch.

Life in the Iron Mills: Free eBook from Project Gutenberg

Project Gutenberg provides a free electronic version of Rebecca Harding Davis's Life in the Iron Mills.

The following is an excerpt from the book:

A cloudy day: do you know what that is in a town of iron-works? The sky sank down before dawn, muddy, flat, immovable. The air is thick, clammy with the breath of crowded human beings. It stifles me. I open the window, and, looking out, can scarcely see through the rain the grocer's shop opposite, where a crowd of drunken Irishmen are puffing Lynchburg tobacco in their pipes. I can detect the scent through all the foul smells ranging loose in the air.

The idiosyncrasy of this town is smoke. It rolls sullenly in slow folds from the great chimneys of the iron-foundries, and settles down in black, slimy pools on the muddy streets. Smoke on the wharves, smoke on the dingy boats, on the yellow river,—clinging in a coating of greasy soot to the house-front, the two faded poplars, the faces of the passers-by. The long train of mules, dragging masses of pig-iron through the narrow street, have a foul vapor hanging to their reeking sides. Here, inside, is a little broken figure of an angel pointing upward from the mantel-shelf; but even its wings are covered with smoke, clotted and black. Smoke everywhere! A dirty canary chirps desolately in a cage beside me. Its dream of green fields and sunshine is a very old dream,—almost worn out, I think.

"Christian Capitalism"

Can capitalism and Christianity coexist? Below are 2 videos with contrasting viewpoints:


Life in the Iron Mills: A Soundtrack

The following video includes samples of songs from Life in the Iron Mills: A Soundtrack, along with quotes from Rebecca Harding Davis's Life in the Iron Mills that especially correlate with the songs. The soundtrack was compiled as part of a creative project regarding Davis's novella.

The Simple Way

The Simple Way is a community of people who try to live with humility, and who are opposed to the "passive Christianity" that Rebecca Harding Davis "fiercely resisted."

This is an excerpt taken from the "About Us" section of the Simple Way's website:

Each of us is created for community, and in the image of community. And yet everything in the world tries to rob us of this Divine gift.

The life of the simple way is the story of that struggle to love and to be loved.

The most radical thing we do is choose to love each other... again and again.

If you are a seeker of the Way, may our story feed you hope... or at least keep you from making all the same mistakes.


The following video describes some of the morals being practiced by the group, and the benefits of said practices:

Based on the content in Life in the Iron Mills, this group's actions parallel author
Rebecca Harding Davis's suggestions for social class reform.

Life in the Iron Mills: Novel Guide







This helpful website provides an interesting biography of Rebecca Harding Davis, a historical and literary overview, and an in depth synopsis of Life in the Iron Mills.

Life in the Iron Mills: Novel Guide
Here's an excerpt from the introduction:

Published anonymously in the well-respected Atlantic Monthly under the editorship of James T. Fields in 1861 at the outbreak of the Civil War, Life in the Iron Mills, by Rebecca Harding Davis (1831–1910), ushered in American literary realism and at the same time launched a pathbreaking exposé of the effects of capitalism and industrialization, including the physical, spiritual, and intellectual starvation of immigrant wage earners. In fact, the novel is recognized as being the first literary work in America to focus on the relationships among industrial work, poverty, and the exploitation of immigrants within a capitalistic economy. It also contains elements of naturalism likened to that of later works by the French writer Émile Zola and the American writer Frank Norris.